Pelle di Fauno, Urano, Ophèlia (by Manuel Attardi, 2025)


The third student I want to talk about today is Manuel Attardi

He attended the Italian Perfumery Institute last year, and has just launched his brand new "Manuel Attardi" collection, with a trio of perfumes: "Pelle di Fauno - Extrait de Bete", "Urano - Extrait Ciel", "Ophélia - Extrait d'Amour"

I would write about his work even if Manuel had not been my student, because I like his vision of perfumery. His creations mirror an aesthetic and cultural sensitivity that ignite life into his creations. 

The first, "Pelle di Fauno - Extrait de Bete" is dry, green, herbal, with interesting suede nuancesl. Costus, petricore and a "goat accord" place it outside the traditional canons of the classic "good perfume", yet it is endowed with an intense, wild harmony (and if you’ve read "The Jitterbug Perfume" by the great Tom Robbins you know exactly what I’m talking about). 

The second fragrance "Uranus - Extrait de Ciel" is a thrilling experience: mineral, indeed carbonic, wet and chilly, with electric flashes of aldehydes and rose oxide crossing it from top to bottom. A dark cave from which some primordial energy emerge, still without form, and wrapped in a cloud of incense. Despite all this strangeness, it's a pleasure to wear it. The Fauno and Urano perfumes share a dry, animal sensoriality, which blends intriguingly with the wearer's skin. They will not appeal to everyone. Well, one of them portrays the first God, from which the whole Universe was born, and the other portrays a mythological creature half man and half goat... 

The third, Ophèlia, is the one I loved most. It’s inspired by "Ophèlia", a painting by John Everett Millais for which Manuel has a weakness (like me, and many others). The fragrance is spring-y, green, with a rich palette of fresh and moist flowers in bloom (rose, narcissus and jasmine), to suggest a graceful and young femininity. A silver blade of light crosses the whole creation, just as a beam of light illuminates Ophèlia's pale face. A melancholic, exhausted feeling hovers on the fragrance, suggesting soaked brocade, and unrequited love

All three perfumes smell Romantic. Not in an "Angels&Flowers" way, I mean a real "Sturm und Drang" mood. Knowing Manuel a little bit, I did not expect anything less than this.


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