New: Seville à l'Aube (B. Duchaufour & D. Beaulieu for L'Artisan Parfumeur, 2012)
French blogger Denyse Beaulieu, better known as Grain de Musc, has
just published a memoir on perfume titled "The Perfume Lover".
Next to the book, and to tell the olfactory memory of a magical
sunrise in Seville, L'Artisan Parfumeur has given her the opportunity
to work with Bertrand Duchaufour to compose just the smell of that
magical moment. I am speaking of the scent because I received a small
decant and I've been wearing it for
several days, and now I look forward to be in July to buy it.
I must admit I have a very soft spot for orange blossoms. I like both the fresher facet,
typical of neroli, and the heavier, indolic notes of heart/base,
characteristics of orange blossom absolute. But I'm not fond of
having all of them together. Although there are perfumes exploring
the note in all its complexity, which necessarily are almost
soliflore (this note is difficult to treat, since tends to
overwhelm all others), as the beautiful Prada's Fleur d'Oranger (private collection), the
majority of perfumes used orangle blossom side by side to other flowers,
thus giving the perfume a "soapy" feel I find fairly
uninteresting. Especially if there are also aldehydes somewhere near.
Here, of the orange blossom has been used only the cool/bright /sunny opening while the other part ... well, simply is not there! Might it be the result of a successful fractioning? (fractioning is the procedure whereby, in the distillation process of a raw material, you just take the part you're interested in. For example, patchouli is used today mostly fractioned, that is, without that earthy facet that many consider too reminiscet of the "peace & love" era).
Bertrand's
marvelous technique was able to interpret this "loud"
flower in an extremely nice and shiny way, keeping up its natural
loveliness and perfection and taming its overt exuberance.
The
note is associated with petitgrain citronnier (ie, obtained from twigs of lemon, thus with a bitter
green facet), beeswax absolute, incense and benzoin resinoids. And Lavender
Luiseri, a type of lavender found in southern Spain (consistent
with the main theme of the fragrance) a rich note -practically a perfume in itself- featuring an unusual
minty-green and fruity top, followed by licorice, honey facets
and a tobacco/cistus labdanum base.
Seville à l'Aube is an exercise in bridging together rich and contrasting notes: the pungent/honeyed accord of beeswax and Luiseri with the smokiness of the caramelized benzoin works wonders, while petitgrain citronnier and Luiseri create a perfect accord with incense, spraying a crystal light on the composition and emphasizing the "push".
Seville à l'Aube is an exercise in bridging together rich and contrasting notes: the pungent/honeyed accord of beeswax and Luiseri with the smokiness of the caramelized benzoin works wonders, while petitgrain citronnier and Luiseri create a perfect accord with incense, spraying a crystal light on the composition and emphasizing the "push".
The result is a mesmerizingly fresh, transparent and
deliciously green scent, with a hint of licorice and chestnut honey over a resinous base.
Being part of the L'Artisan Parfumeur line, Seville à l'Aube is evocative, delicate and totally unobtrusive, while living several hours on skin.
This isn't a complicated or intellectually engaging scent: its
bright light and carefree optimism have conquered me over, at first
sniff.
Pic: www.gardenpictures.com
Pic: www.gardenpictures.com
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